Since this is supposed to be a head-to-head-to-head-to-head clash between electronic music clubs across the Tokyo Area, we are not going to say too much outside of the notechart analysis to stay neutral.
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Hand Over (Prod. TEMPLIME) Sotokanda Literature High School Den'onbu/Den'onbu 外神田文芸高校電音部「電音部」より |
★3 | ★4 | ★4 | ★9 (651) |
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Hyper Bass (feat. Yunomi) Jingumae Sandou Academy Den'onbu/Den'onbu 神宮前参道學園電音部 「電音部」より |
★2 | ★2 | ★5 | ★9 (877) |
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Itadaki Babel (Prod. Kenmochi Hidefumi) Tama Kurogane (CV: Akina)/Den'onbu いただきバベル (Prod. ケンモチヒデフミ) 黒鉄たま (CV: 秋奈) 「電音部」より |
★2 | ★3 | ★5 | ★8 (493) |
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Shining Lights (feat. PSYQUI) Karin Houou (CV: Kana Sukoya)/Den'onbu 鳳凰火凛(CV: 健屋花那) 「電音部」より |
★2 | ★2 | ★6 | ★9 (862) |
Akiba's Hand Over bases the Oni notechart completely on 24th separations instead of the common 16th. Faster than the likes of ANTI-HERO and Lifetime Respect -Onna Hen-, but luckily doesn't mix the two types of separation together.
Harajuku's Hyper Bass tops the note count among the four songs today. While without long streams, be prepared as the bass percussion throws bursts of 12th and 24th patterns among the 16th majority.
The only ★8 Oni notechart of the day comes from Azabu's Itadaki Babel. In a significantly lower BPM than its three opponents, its main challenge comes from the generally longer continuous streams of moderate complexity.
Shibuya's Shining Lights concentrates its toughness into the two interim glitchcore sections, with frequent single-color 24th bursts interspersed around 16th clusters. Outside of those are high-energy vocal sections featuring high-★8 to mid-★9 fare of increasing complexity.
