Today it's a celebration for the virtual YouTuber Kizuna AI's birthday! We look at the two songs made available today for that very occasion, as well as picking up the last of the videos for the AI Battle Performance additions, which Lokamp added retroactively to Thursday's post.
Green ver. New Songs: June 30, 2019
| Title |  |  |  |  |  | |
|---|---|---|---|---|---|---|
 | AIAIAI (feat. Nakata Yastaka) AIAIAI (feat. 中田ヤスタカ)／Kizuna AI | ★3 | ★3 | ★4 | ★7 (392) | |
| Hello, Morning Kizuna AI | ★3 | ★4 | ★5 | ★7 (470) | ★8 (604) |
AIAIAI, shown before the jump, lies on the lower end of the ★7 scale in terms of both BPM and patterns, featuring at most hanging doubles and a healthy mix of different triple patterns topping at 16th.
Hello, Morning, meanwhile, is easily the tougher of the twins. Regular Oni stands with other higher ★7s like Calamari Inkantation, including 8th/16th cluster patterns with no rests for almost eight bars, and longer but predictable streams at strategic places.
Ura Oni goes a step further with following the percussion to a T, to the point to generously slip highly-mixed clusters (like double-doubles) and streams, and even slipping 24ths into 16th clusters. The only justification for this to not be rated a rightful mid-★9 is the lower speed.
