【お知らせ】 2026/9/12(土)より『#太鼓の達人 (ゲームセンター版)』で遊べているナムコオリジナル楽曲『Nivalis*Anima / MisoilePunch♪ vs CHUBAY』を紹介するドーン❄ ※中国内地を除く 試聴動画はこちら https://t.co/sYcya2XGTp 制作を担当されたみそみぃるさん、Ponchi♪さん、CHUBAYさんからメッセージが届いていますよ～✨ たくさん遊んでね❤ #taiko765 #段位道場 #太鼓の達人25周年
— 【公式】太鼓の達人 ゲームセンター版 (@taiko_team) September 14, 2026
All throughout this week, the same artist-comments treatment was suplied for the three surprise debuts from Nijiiro Version's final Ranking Dojo main trial for this year, each also seeing their song uploaded in the official Bandai Namco YT channel to boot!
Starting thing up, we've got Nivalis*Anima, the surprise debutant from the nicknamed CHUBAY (already in Ranking Dojo with his Vixtory) and the MisoilePunch♪ duo consisting of Ponchi♪ and MisoMyl, already fresh of Tatsujin waters with their vs.VIGVANGS from last year (look forward to the official MV!). To better reresent the two facets of the cold's beauty, the MisoilePunch duo inked the base with CHYBAY's input steering in the direction of expressing the fear of "swallowing up everything". MisoMyl in particular further inches on the concept of something as delicate as snow being the biggest of physical hurdles in nature, specifically on how the slow rise of a snowstorm can not only deprive mounaineers of their physical prowess, but also their sight!
【お知らせ】 2026/9/12(土)より『#太鼓の達人 (ゲームセンター版)』で遊べているナムコオリジナル楽曲『魔宵月 / あず♪ vs Masahiro "Godspeed" Aoki vs 黒沢ダイスケ』を紹介するドーン🌕 ※中国内地を除く 試聴動画はこちら https://t.co/20xkWpC7r0 制作を担当されたあず♪さん、Masahiro "Godspeed" Aokiさん、黒沢ダイスケさんからメッセージが届いていますよ～✨ たくさん遊んでね❤ #taiko765 #段位道場 #太鼓の達人25周年
— 【公式】太鼓の達人 ゲームセンター版 (@taiko_team) September 16, 2026
Next in line is Mayoidzuki ('Night Moon' in English), the labor of love of former Tatsujin-tune-crafting musicians: former band members Azu♪ and Masahiro "Godspeed" Aoki, joined by the INSPION guitar player who first managed to have a Tatsujin course seat twice... with the same song!
Azu♪ was given the task of a draft piece with the Moon as the theme, ought by the Taiko Team to tackled it in a trick way to give out the moon's phase transitions (he mentioned the Waxing and Waning ones, in particular). Godspeed focused on giving the base an 'orderly appearance', pushed by his own internal inquiry to what could he add to the song as a musical instrument performer while still leaving a catchy stay. The balance between the two views was molded by Daisuke Kurosawa by chasing the idea of 'Tomorrow' in many a facet: a brand new day, a brand new way to express himself and top-tier challenges by shooting for a more complex rhythm that his first submitted draft, fond by the "metamorphosis" crafted by Godspeed for the final portion of the song. You can tell he's very earnest about it, with choice terms for his impression slide like 'kinky' and 'HenTai' as a portmanteau for Azu♪ and the Taiko Team at the end!
【お知らせ】 2026/9/12(土)より『#太鼓の達人 (ゲームセンター版)』で遊べているナムコオリジナル楽曲『銀の黎明か、黒の晶華か。 / かめりあ vs t+pazolite』を紹介するドーン🌹 ※中国内地を除く 試聴動画はこちら https://t.co/5399PL98DC 制作を担当されたかめりあさん、t+pazoliteさんからメッセージが届いていますよ～✨ たくさん遊んでね❤ #taiko765 #段位道場 #太鼓の達人25周年
— 【公式】太鼓の達人 ゲームセンター版 (@taiko_team) September 18, 2026
The final of the trio goes by the flowery title of Gin no Reimei Ka, Kuro no Akira Ka Ka. (The Dawn of Silver, or the Crystalline Flower of Black.), brought us by Camellia and t+pazolite.
Both artists were asked to make "a bad song to serve as a threat" and a buncha other menacing terms, all turning mush to t+pazolite's ears as non-appropriate for his part on song-making, as a testament to reflect the Taiko no Tatsujin series' uniqueness. Camellia, on the other hand, interpreted the tall order as something that "has to be destroyed at all costs", something that would make people not only see its end, but also the seeping light dawning beyond it.
...while we're at it, if you forgot from the last livestream, we're having a couple of returning Weekend Warriors tomorrow! You can even hear the official audio rips for them on YouTube...
